Redemption The Third Era – Gameplay III, Playing with Redemption

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It is time to analyze how is executed a standard match of Redemption – The Third Era. Assuming each Deck will have to follow its own strategy in order to be competitive and to win some matches, each of these will have to be formed by a Hero Card and eight Character Cards.

Once the play system has coupled the two players who will fight each other in the battlefield, the system will automatically choose four of the eight Character Cards in the Deck that will fight with the other four  Cards selected from the opponent. At the same time the players will be informed about who will make the first round.

At this point the active player has simply to show his opponent which Character Card he wants to play firstly, by selecting it without knowing the opponent’s response. If this has been done, it’s up to the opponent to choose the Card to be used in order to meet the challenge. This is the first choice with which players will intervene in the fighting. When these choices will be made, the battlefield for the single fighting will be outlined.

 The system notifies the players of activated Heroic Skill for the selected Cards. This type of Skills has no ‘costs’ of activation but only ‘conditions’ of activation. These conditions of activation can be the most varied and linked to each variable component of the Card: Race, Corporation, Strength, Constitution, Fame, Number of Attacks, and so on.

After setting out the activations of the Heroic Skills, the system will wait the players’ choices: both players will choose the Skills with activation cost for the Character Cards. This is the second point in which the player has to make choices. These choices require both the knowledge of the Deck strategy and a certain foresight depending on the Cards selected by the system for the match: the activation of one or more Skills of the Card makes its power increased, but it decreases some of the resources that the game makes available for the Energetic Pool. Postponing an activation of a not helpful Skill can allow to activate it on a Card for a further fighting. Here there are involved a number of components of the game that make each game unique: the bluff, the game viewing, the type of Deck, the insight both of the opponent Deck and of the way the opponent could play it.

Then the two Cards automatically fight each other, starting from the Card chosen by the player’s turn and all the planned actions are carried out: the activation of Skills at the right moment, the exchange damages for each attack. If the Constitution value of a Card is reduced to 0, this is captured by the opponent Hero and it gives its Fame to the opponent. If no Card reaches 0, you get a draw and no Fame score is assigned.

After having performed the four fighting expected for the Cards, the player with the highest collected score of Fame will be the winner. Then the provided scores for the players in terms of caps and experience points and other various types of being examined awards will be assigned.

Once the assignment of scores will be completed, you can start a new match.

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Redemption The Third Era – Gameplay II, Character Cards

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Character Cards have their own basic Characteristics and some ‘activable’ Skills. They belong to one Race and they may refer to one specific Corporation.

Character Card

Character Card

The numeric values present on the Card have different meanings depending on the color of the ‘box’ in which they are placed: the yellow box on the top right represents the Fame of the Card, the red one on the bottom left represents the Strenght and the blue one on the bottom right represents the Constitution. Moreover, the number of swords showed on the Card determines the number of attacks the it basically launches during a battle versus another Character Card.

  • Fame: this value identifies the reputation of a Character. It is transferred to the Hero opponent in case of defeat in the fighting with another Character. Losing a fight means then to give Fame points to your opponent. The sum of Fame points, for each of the two sides of the battlefield, will define who will be the winner of the match. Often Cards with big values ​​of Fame are also cards having particularly good performances;
  • Strength: it is the damage to an enemy with a single Basic Attack;
  • Constitution: represents the number of damages that a Card can receive without die. If this value is reduced to 0 or minus, the Character is ‘captured’ and the opponent receives as a reward the Fame value of the defeated Card;
  • Number of Attacks: during the fighting between two Characters, they will inflict to their opponents, for a number of turns equal to the number of attacks, damage equal to its power;
  • Skill: each Card has three Skills available and they can be activated if there is in Energy Pool the sufficient amount of energy to pay the price.

Each value showed in the Card may be modified by both the use of the Eroic Skills and by the use of its own Character’s Skills. Obviously, the opponents too may interact in the same way with the values of the Cards. These events take place all in the combat phase.

Each Character Card will be part of a Deck. The synergies that can be created between Characters and Heroes will be the core of a good deck building. The first point to consider is how a Hero that for example produces only Movement energy, will preclude the activation of the Character’s skills that requires a Blood or Mental Energy cost to be activated. Other types of synergies will come from the Card Skills, below you can find two examples:

  • the ability to convert energy into another type of energy: at the cost of 2 Movement, the Meditation Skill will allow their Pool to get 2 Mana;
  • the increase in its own Characteristic or the decrease in a opponent Characteristic based on the number of similar components in the Deck: the Skill named Rain of Arrows will inflict the enemy’s Card an amount of damage equal to twice the number of Tamiaras in the battlefield.

Next week, with the Gameplay III, we will speak about Decks and fighting  dynamics during a match.

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Redemption The Third Era – Gameplay I, Hero Cards

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Cards are grouped into two big categories, Hero Cards and Character Cards. The main difference between these two types of Cards is the role they play in the decks creation: a deck can contain a single Hero, which has many functions and the main purpose of being the basis of the deck, and eight Character Cards. Each of these last has its own Features and Skills which, in the deck creation phase, have to be as much as possible in line with the features of the Hero in order to create possible synergies and winning strategies.

The Hero Cards provide the player with an Energy Pool consisting of:

  • Movement
  • Mental Energy
  • Blood
Hero Card

Hero Card

These different values of Energy are needed to enable the Characters’ Skills that are part of the deck.

For each round of combat the Energy Pool is filled, starting from the basic Features of the Hero and adding up to the previously possible unspent values: the number in the green box represents the Movement, the number in the yellow box the Mental Energy and the number in the red box the Blood. It doesn’t mean that the three types of Energy belonging to the Pool are in full produced by each Hero, in fact the production of Blood, for example, is a prerogative of  Vampires only.

The Hero Cards are characterized by the following features:

  • Race: one of the six currently playable (Damas, Graunt, Humans, Salk, Tamiara and Vampires);
  • Corporation: a Hero can or not, just like a Character, belong to a Corporation;
  • Energy production values;
  • Heroic Skills: they have not an activation cost, but they become active if certain conditions occur during the match (for example a Heroic Skill can be activated if among the characters on the battlefield there are two or more belonging to the same Race of the Hero); each Hero has two Skills at its disposal.

The Hero never comes into the fight, but he is the Leader of the group of Characters and he provides support to every single Card in each battle, either through his own Skills, both through the energy production that allows the activation of the Skills in the various Character Cards.

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Redemption The Third Era – Cards: Work in progress

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Regard to Redemption The Third Era, the Cards are grouped into two major categories: Heroes and Characters. They have different roles in both decks creation game itself. For example, the Characters fight each other and they have some Skills can be activated by the Player with a fixed cost while it is up to the Hero provide the required energy to pay the Skills activation by individual Characters.

The Card consists of both the drawn Illustration and a Frame, the latter is different depending on whether it is a Hero or a Character. This difference is due to the need of representing several features that differentiate Heroes and Characters, moreover it provides the Player the means to recognize the type of Card with a simple and intuitive way.

Because Cards are key point of the game we are setting up, all that is built in terms of both gameplay and graphics contribution, originate from, or is compared with them. This has led to a wide evolution of the Card and a lot of tries had led to build the current Frame.

Regard to the Illustrations, they were drawn by different artists with the constraint of being realized following specific features suggested by the company and on a background which was provided from time to time. All backgrounds were made by Andrea, one of the project founders, and it allows to obtain Cards with different styles but associated by backgrounds realized by the same hand (as more specifically discussed in our post ‘The Style of Art’ of 22 May 2015 ‘link’).

For the Frame, one of our main needs was to have a dominant neutral color that would fit each type of Card and each kind of the client background. For this, we started from an unique Frame for both Hero and Character, with a very light color that vaguely could recall the texture of the rusty metal, but it resulted too imposing and it reduced the Card design itself.

After this attempt, there has been a first revolution that has led to adopt also one of the typical features of the game that we are building, a characteristic alternation of black and yellow, as a representation of the radioactive danger. After a series of tries we have come to what we now consider the final Frames, one version for the Heroes and one for Characters.

In both cases we have examined which features should be visible at a glance and which ones should be instead subject to a deeper investigation. We were looking for a balance that would be suitable for both experienced players and novice players. This is also why we have different levels of Frame: one with the minimum information necessary to recognize and use the Card with a single glance, and one that include the availability of names and costs of the Skills.

During the building of the various game screenshots, we realized how sometimes there has been the need to have access to the Card in its entirety and without mediations. For this reason we have created a system that allows an improved viewing of Card and its Skills, embedding the Card itself. We have made it inspiring to the Damas technology that mix a number of electronic components to a number of old style analog components. Their technology involves the use of screens with the ability of displaying written signs but, for example, they do not allow the insertion of images or other colored elements. To overcome this we have created a superstructure that contains the screen, so creating a system that allows you to display the cost of each Skill of the individual Card and the explanation of its functioning.

The next post will be still centered on the Cards and how they impact on the gameplay, in the meantime we leave you with some of the tries we have done over time before we get the final Frame … a little bit of madness does not hurt!

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Redemption The Third Era – Market

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Contrary to the current trend of such games, Redemption The Third Era will include the Secondary Market of Cards, which is a way that will allow players to buy and sell the cards they wish both to enrich their collection and improve their decks.

The market will be characterized by a very simple policy: each player will be able to sell his own card at a certain price. This will allow the bid to be launched on the market and to be compared to the other ones concerning the same card.

The provided functions will allow to:

  • add a card to the market, specifying the selling price;
  • remove their own offer from the market;
  • buy a card from the market.

Because the market is managed by Salk people, traders par excellence, they will withhold a small commission, between 2% and 5%, for each successful sale.

We consider the market a very important part of the game. Following the market and understanding its trends and dynamics will be integral parts game components. They will not be essential, but they will permit you to exchange your own cards with different others in order to test various gaming solutions. At the same time you can enlarge your own collection by exchanging any excess cards with the most widespread currency in the postatomic lands of the Third Era: the caps, namely the bottle caps.

The Sale and Purchase features of the cards are here described with pictures.

GPMarket0

Card selection and options. One option permit to sell card into market

GPMarket1

Price of card selection

GPMarket2

Single card buying

GPMarket3

Player market insertions, with an option permit to remove card from market

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Redemption The Third Era – Roadmap

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Roadmap

It ‘s time to share with you the Roadmap that will lead to the launch of Redemption The Third Era.

This Roadmap is the current one, but it is constantly changing. For this reason we will make regular updates with other posts in our blog. We just want to let you know the progress of the work so that you will be ready at the time of the closed Beta release.

August:

  • Last week of August: End of the engine basic developments for client fullfilment.

September:

  • First week of September: Finalization of the Market development.
  • Second week of September: Finalization of the Deck Building system development, starting development of the Shop.
  • Third week of September: Development of HUD and start of News System design.
  • Last week of September: Closing work of graphic production of the cards. Starting work on cards graphic integration in the game.

October:

  • First week of October: Finalization of the Match development. Start of News System development.
  • Second week of October: Start of Cards calibration procedures; start designing the Game Modes.
  • Third week of October: End of Shop and HUD development. Start of integration with Facebook to login and post. Start integration with the PayPal payment system.
  • Fourth week of October: Start Gameplay development.

November:

  • First week of November: End of the HUD and News System development.
  • Second week of November: End of the Shop development. Finalization of the integration work of the card graphics in game. Finalization of the integration with Facebook and PayPal.
  • Third week of November: End of the Gameplay development.
  • Fourth week of November: overall Revision of the developments.

December:

  • First week of December: overall Revision of the developments.
  • Second week of December: first calls for participation in the closed Beta will be sent.
  • Third week of December: Start of the closed Beta.

January: For the month of January, we foresee development activities of additional features to be tested during the closed Beta and the bug fixing. In this month we will also make the necessary adjustments for the publication of the game on Android and iOS platforms.

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Redemption The Third Era – Corporations (Part 2)

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Now you know all the main races belonging to Redemption The Third Era world and it is time to introduce you to the remaining six Corporations too. They refer to Tamiaras, Salks and Vampires and like the others they have characteristics that make them accessible to elements of other races, except for those regarding the Vampires that are closed and elitist, as well as all everything concerns them. Enjoy yourselves!

Tamiara Corporations

G R E E N   S H I E L D 

Emblem of Green Shield

Emblem of Green Shield

They are the guardians of the internal borders of Tamiara cities, that is those who repel the possible incursions from the Underforest, the forest layer that remains hidden beneath the aerial walkways of the various villages. They also ensure the forest and its inhabitants health, they prefer the use of the melee  weapons made of gata. They are skilled in combat both with weapons and with the powers resulting from radiation and they can blend in with all surrounding them. Their amazing agility enables them to make rapid and elusive movements that makes them dreadful and dangerous opponents, especially if taken within their habitat.

A R I I N

Emblem of Ariin

Emblem of Ariin

They watch on the outer boundaries of the forest and they are the most lethal sharpshooters among the Tamiaras. They build weapons with their own hands, preferring bows and crossbows, but also the use of slings, blowpipes with poison darts and sharp boomerangs is widespread. Obviously everything is made of gata. The symbiosis with the surrounding nature allows them to hit anything that moves through the trees. Their skill in the building of throwing weapons has reached a so high levels that these can beat in range and accuracy any other weapon of the same type.

Salk Corporations

A R K A L

Emblem of Arkal

Emblem of Arkal

They are a notorious group of Salk mercenaries. Their skills make them suited to solve a variety of situations, and they can be hired by the highest bidder. Their strength isn’t the loyalty toward the occasional ‘boss’, but rather their near certainty to complete every job … one way or another. The years within one of the Salk Academies, and after those of training, transform them into lethal enemies both in the physical and mental fighting, and the multiple skills make them chameleonthic and valid for every type of mission.

M E R C H A N T S   O F   T H E   S U N 

Emblem of Merchants of the Sun

Emblem of Merchants of the Sun

Huggling is only one of the arts in which the Salks excel and almost always it is an innate talent, but their real strength is to be citizens of the world in all respects. The Merchants of the Sun, following this principle, include in their ranks anyone have proved himself worthy without racial boundaries. Experienced travelers, scientists of the cultures and traditions of all other races, they are able to mediate in any kind of negotiation in order to widen the profit margin for themselves and for their people. They are trained in physical and mental combat and they are able to adapt to all weather conditions in order to conclude a very good deal.

Vampire Corporations

T E R S I R

Emblema Tersir

Emblema Tersir

They are an elite group of vampires that is devoted to protecting the insulation. They watch on their cities and suburbs to identify and eliminate any kind of infiltration coming from other races. Lilian, the capital of the vampiric regions, and other cities are treasure chests filled with old artworks that constantly attract daredevils looking for big gains, but if you come face to face with a Tersir, harldy you could tell it. They fully represent the spirit elite of their own people and all their skills, both physical and mental, is devoted to the suppression of each non-vampire.

L I L I A N A ‘ S   B L O O D L I N E 

Emblem of Liliana's Bloodline

Emblem of Liliana’s Bloodline

Thanks to the training, targeted treatments that decrease the need for blood and the use of artifices as contact lenses and makeup, this group of spies is specialized in blending among other races under the guise of humans for longer periods of time than a common vampire. They studythe habits and traditions of other peoples to understand their weaknesses and to exploit them to their advantage when the opportunity arises. Trained in the techniques of seduction, they can become lethal killers and their methods to get information are nearly always infallible. Notorious, feared by non-vampires and respected by their blood brothers, they represent the most dangerous matter you can find around the vast world, which is shrouded in darkness or not.

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Redemption The Third Era – Races: Vampires

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This week we conclude the overview of the races belonging to the Redemption The Third Era, talking about the most dark, theatrical and elitist people of our world, the Vampires.

V a m p i r e s

Emblem of Vampires

Emblem of Vampires

Vampires live in the cold and dark Earth’s climate zone, on the edge of the glaciers covering most of the southern hemisphere. In the decades after the Catastrophe, during which their race was forged, they were forced to live as predators in order to deal with a very serious anemia caused by radiations. They consuming massive amounts of raw meat that to date sees them mark by other races like bloodthirsty ‘beasts’, that’s an idea each vampire tends to encourage despite their eating habits have been gradually refined.

All of this has left indelible signs on their bodies. They have emaciated bodies, pale and heat-sensitive skin, that is subject to sunburns. The eyes, often rimmed by purple shades, look shiny black due to a constantly expanded and larger than normal pupil, that allowed them to safely and quickly move in the eternal dark. Irises, almost completely missing, are very pale both to allow greater sensitivity to the feeble flashes of light and to further improve the night vision. Lips, having a characteristic bright red, are the only hint of liveliness on their marble faces and they usually have black and shiny hair.

In spite of what is appearance, the blood, that is their ally and source of life, provides them strength, speed and a temper that would not seem to belong to them. They can alter their blood flow and metabolism to improve their performances by increasing strength, speed and endurance. They may use the Powers of Blood to also alter their facial features and to secure a stronger bit, in fact the mouth, apparently similar to that of the other humanoid races of the Third Era, is actually equipped with dental arches, each provided with twenty slightly sharp teeth with sharp edges. Under the influence of the blood they can distort their faces and make both mandible and maxilla much more pronounced in order to sink into the victims’ flesh and to achieve, with speed and accuracy, the major blood vessels.

The brotherhood uniting them is something transcendental. Their way of securing life for themselves by drinking blood from the victims, makes them foreign to all the other races and therefore this isolates them. Closed within their matriarchal society, they are introverted and suspicious, they feel anger and resentment against those who aren’t vampire, translating these feelings in a sense of superiority that elevates them above everything and everyone. They consider themselves the only race worthy to dominate and the survival, of both themselves and their own race, it is the only thing that matters.

They love theatricality and theirs their parallelism between their way of life and the one of the notorious ‘vampires’ of horror stories of the Old World, for which they deliberately name. The myth of Lilith, with all its facets and dating back to the First Era of the world, is the cornerstone of their society. They are fascinated by the mysticism that include her as the first female vampire, in charge their race there is Liliana The First, The Lady of the Vampires from which even their Capital is named: Lilian. Regardless of the flow of time, someone like Liliana has always been and will be in charge of the vampire forces.

Lilian, the capital, is a jewel of the past that came back to life and that cuddle all its inhabitants with elegant avenues and Victorian squares that glow in the dark, cloaked by the violet light of the street lamps. The Keel, a perennial mass of dark and stormy clouds, covers the skies of their region as a protective mother with their puppies, cradling vampires and filling every foreigner’s  heart with awe and anxiety.

They became skilled in the manufacture of weapons with blades made using obsidian, a volcanic glass they find at the edge of their territory and that, treated with radiations, they make very hard and durable. The same material is also used for building restores in their cities. Firearms and all they need, which cannot be found within their borders, are purchased through secret trades with Salks and smuggling.

They prefer warm clothing that can protect from the wind like biker leathers, coats, furs and leather jackets. Perfectly identified with the vampires of fantasy stories, they prefer theatrically dark colors and gothic lines. In their voyages far from the darkness of their lands, they always come with sunglasses having black lenses, that provide shelter from the discomforts of excessively bright light and they hide the very black eyes so they can interact with other races under the guise of Humans.

Vampires are used to exchange a greeting that is hoping for the best only for the members of their own race, while it has a sinister and gloomy meaning if it’s aimed at anyone ‘May the Keel always overhang you’, needless to say, this make every vampire amused and proud.

Vampire Character

Vampire Character

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Redemption The Third Era – Races: Salk

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At this point, it is time we reveal to you the penultimate race of those compounding, at least initially, the set of playable races of Redemption – The Third Era, the eccentric and eclectic Salks.

S a l k

Emblem of Salk

Emblem of Salk

Usually Salks are considered some of the most beautiful creatures that populate the Third Era. Their long-limbed and slender bodies are due to the drought and privations of their homeland: the open and scorching desert. The black skin becomes colored of bluish reflections under the rays of the persistent sun and the lips, often thin, are blue. The hair, going from black to platinum blonde, frame their delicate-featured faces and their pale eyes have a lengthened form. If necessary, a thin white membrane may lower to veil iris and pupil in order to shield the eye from the blinding light, so making it brilliant.

The Salks are globally recognized also as the best merchants ever. The strong business sense and easy profit leads them to be open, jovial and willing to all other races, but what they generally are led to believe is that no one can be put at their level, though, for business, this is something they never let to be known. The reputation of being great merchants tag them as careerists, opportunists and pimps. It’s generally accepted that the magnificence of Suntears, the capital, is useful only to hide the corruption that lies in the few, but very deep shadows of the city.

Odds, lovers of beauty and excess, the Salks have built their cities to amaze and fascinate, they like the desert around them and unlikely they will be able to find around any place that, according to their way of seeing things, can compete in beauty with it.

They have an aptitude mostly for the study of mental disciplines even if who does physical training a way of life, often achieves very good results.

They are masters in handling and blowing glass they use to adorn the houses with colored windows and other glass art, to create jewelry and necklaces and also to build different types of tools. The use of glass that makes them the most famous and respected is however the one for the realization of the splendid and deadly Vitrified Blades. Through sophisticated manufacturing techniques of the sand, the blades of the weapons assume slightly wavy shapes and cutting edges that never lose sharpening and their resistance is higher than that of the most common metallic alloys. Their color ranges from light blue to blue and they maintain an opalescent transparency. They succeed in vitrifying each type of hand to hand weapon, keeping in metal several components such as pommel, handle, hilt and then combining them to vitrified blades.

Their clothes are light and colorful. Regardless of gender, they love makeup on their faces and dyed hair. Males use dyes even for beards they often leave grow in elaborate sculptures. They love jewelry and anything is flashy and shiny, often sacrificing a more refined elegance.

Yellow and blue, paints presents in the emblem of Suntears, are among the favorite colors from the entire race and they are also used to paint the numerous adornemnt and decorations that spruce up the streets and buildings of each city.

Just like the Humans, the Salks are present almost everywhere. Their movements are due to the commerce and to their continuous looking for relics related to the Old Era, that can yield several caps on the market. Furthermore, in each capital or major city of the Third Era, there is a branch of the Congregation of the Independent Travelers, sorting centers managed by psychokinetic Salks that, thanks to their powers, using big crystals of awrmis and for generous remuneration, are specialized in beaming goods and passengers all over the world within a few minutes. The only exception is Lilian, the capital of the Vampires where access is denied to any stranger, and where the Congregation of the Independent Travelers set up a branch at the edge of the suburbs.

According to the popular saying ‘Not all merchants are Salk, but all Salks are merchants’, that is true or not, nevertheless this is the sight that other races have of them.

Salk Character

Salk Character

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Redemption The Third Era – Graphics of Client

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This week we will talk about the Graphic User Interface (GUI), namely about the graphics that players will have mainly to deal, about its evolutions and some of its characteristics.

In wider terms, for creating the GUI we are using a system that could result pleasing (to the eye), but always considering that “beauty and functionality” must be the two spirits whose GUI has to consist of.

Because of our pop and cultural references for the game realization, and with the post-apocalyptic setting of “Redemption – The Third Era” world that has a deviant technology if compared to contemporary historical course, we decided to think in these terms for the design and realization of our GUI.

Basically, the game graphics mean to do a representation, even if partial, of our Setting. Also for this reason the various game screenshots are a representation of some parts of it, such as the racial cities. Our goal is to allow the player to breathe the Setting through the common use of the graphical interface.

The frame and the backdrop, the latter consisting both of bricks and of various racial representations, are the basic scheme in which we decided to move for creating our GUI. While keeping the style set on these specifications, however we decided to give a more complex variety to the game trying to change the furnishings depending on the functional needs and making them instantly recognizable according to the scope.

DeckBuilder.w.1000

Deck Builder Sample

Market.w.1000

Market Sample

Home.w.1000

Empty Home sample

The motion is one of the main aspects we focused on, because it’s the means needed for the graphical interface to achieve credibility. However, we soon realized how the continuous movement can, in the long run, become boring for the players, especially if the same animation is repeated too many times. This led us to show the scenes comprehensive of movement only in the first time they are called for each rendering. In further uses these scenes are shown in their final version, thus avoiding excessive redundancies. On the other hand, other movements are necessary to space out the various aspects of the game, such as the overall view of a group of cards and the view of a single of these cards. Also these animations are thought to have a graphic impact resulting at once both pleasant and fast. The existing structures were instead designed to be adherent to the art of the possible: each structure is something that has been obtained by recovering waste material. The necessary parts were then subtracted or added to the main structure in order to achieve the desired effects.

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